M. S. Subbulakshmi: INDIAN CLASSICS & DIVINE MOTHER
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Monday 13, April 2026, 05:30.
Background information:
Born Madurai Shanmukhavadivu Subbulakshmi, 16 September 1916, Madurai, Tamil Nadu India.
Died 11 December 2004 (aged 88), Chennai, Tamil Nadu, India
Genres Indian classical music
Occupation Classical vocalist
Years active 1930–1997
Label His Master's Voice
Spouse - Kalki Sadasivam
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Introduction:
Madurai Shanmukhavadivu Subbulakshmi (16 September 1916 – 11 December 2004) was an Indian Carnatic singer. She was the first musician ever to be awarded the Bharat Ratna, India's highest civilian honour and also the first Indian musician to receive the Ramon Magsaysay award in 1974. She was the first Indian to perform at the United Nations General Assembly in 1966.
Biography:
Early years:
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She started learning Carnatic music at an early age and trained in Carnatic music under the tutelage of Semmangudi Srinivasa Iyer and subsequently in Hindustani music under Pandit Narayanrao Vyas.
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Her mother, from the devadasi community, was a music exponent and a regular stage performer, and Subbulakshmi grew up in an environment very conducive to musical learning. Her musical interests were also shaped by regular interactions with Karaikudi Sambasiva Iyer, Mazhavarayanendal Subbarama Bhagavathar and Ariyakudi Ramanuja Iyengar.
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Subbulakshmi gave her first public performance, at the age of eleven, in the year 1927, in the 100-pillar hall inside the Rockfort Temple, Tiruchirappalli; with Mysore Chowdiah on the violin and Dakshinamurthy Pillai on the mridangam. This was organised by the Tiruchirappalli-based Indian National Congress leader F. G. Natesa Iyer.
Move to Madras:
In 1936 Subbulakshmi moved to Madras (now Chennai). She also made her film debut in Sevasadan in 1938.[ Her debut to the world of cinema was again opposite F. G. Natesa Iyer.
Musical style and performance:
M.S. Subbulakshmi (left) with S. Varalakshmi in Sevasadhanam (1938)(Movie)
Singing career:
M. S. Subbulakshmi:
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Subbalakshmi gave her first performance at the prestigious Madras Music Academy in 1929, when she was 13 years old. The performance consisted of singing bhajans (Hindu hymns). The academy was known for its discriminating selection process, and they broke tradition by inviting a young girl as a key performer. Her performance was described as spellbinding and earned her many admirers and the moniker of musical genius from critics. Soon after her debut performances, Subbulakshmi became one of the leading Carnatic vocalists.
By the age of seventeen, Subbulakshmi was giving concerts on her own, including major performances at the Madras Music Academy.
She travelled to London, New York, Canada, the Far East, and other places as India's cultural ambassador. Her concerts at Edinburgh International Festival of Music and Drama in 1963; Carnegie Hall, New York; the UN General Assembly on UN day in 1966; Royal Albert Hall, London in 1982; and Festival of India in Moscow in 1987 were significant landmarks in her career.
In 1969 she was accompanied by Indian Railways Advisor SN Venkata Rao to Rameswaram, where she sang several songs in front of each idol in the Ramanathaswamy Temple. She shared a very cordial relation with Sree Ramaseva Mandali at Bengaluru for whom she performed 36 concerts.
After the death of her husband Kalki Sadasivam in 1997, she stopped all her public performances. Her last performance was in 1997, before her retirement from public concerts.
M. S. Subbulakshmi died on 11 December 2004, at her home in Kotturpuram, Chennai.
Films:
VIDEO: 2 Asharan Sharane Shyam Hare – Meera Hindi dubbed 1947 starring M S Subbulakshmi
M.S. also acted in four Tamil films during her youth. Her first movie, Sevasadanam, was released on 2 May 1938. F.G. Natesa Iyer was the lead actor, opposite Subbulakshmi, in this film, directed by K. Subramanyam. It was a critical and commercial success. Ananda Vikatan favourably reviewed the film on 8 May 1938:
We should always expect something from Subramaniam's direction – for instance depiction of social ills. If we have to say only two words about this talkie based on Premchand's story
Sevasadanam is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. The film is an adapted version of Premchand's novel Bazaar-e-Husn. Veteran Marxist leader N. Sankaraiah, has described Sevasadanam as an "unusual film" for choosing the subject of marriages between young girls and old men (which had social sanction). According to him, the film successfully broughtout the "sufferings of the girl" (Subbalakshmi) and the "mental agony of the aged husband" (F.G. Natesa Iyer). Tamil film critic and historian Aranthai Narayanan observes in his book, Thamizh Cinemavin Kathai (The Story of Tamil Cinema) that "Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his 'sacred thread', which symbolises his Brahmin superiority. It came as a stunning blow to the then Brahmin orthodoxy."
MS Subbulakshmi also played the male role of Narada in Savitri (1941) to raise money for launching Kalki, her husband's nationalist Tamil weekly. Her title role of the Rajasthani saint-poetess Meera in the eponymous 1945 film gave her national prominence. This movie was re-made in Hindi in 1947.
Filmography:
Year Film Language Character CoStar Director Music Banner
1938 Sevasadanam Tamil Sumathi F. G. Natesa Iyer K. Subramanyam Papanasam Sivan Madras United Artists Corporation
1940 Sakuntalai Tamil Shakunthala G. N. Balasubramaniam, Radha Viswanathan Ellis R. Dungan Thuraiyur Rajagopala Sarma & Kamal Dasgupta
1941 Savithiri Tamil Saint Narada Y. V. Rao, Shanta Apte Y. V. Rao Papanasam Sivan Royal Talkie Distributors
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1945 Meera Tamil Meerabai V. Nagayya Ellis R. Dungan S. V. Venkatraman Chandraprabha Cinetone
1947 Meerabai Hindi Meerabai V. Nagayya Ellis R. Dungan Dilip Kumar Roy Chandraprabha Cinetone
Awards and honours:
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M. S. Subbulakshmi wearing a blue color saree, which became synonymous with her name – MS Blue
Subbulakshmi on a 2005 stamp of India:
Pandit Jawaharlal Nehru had this to say about M.S. Subbulakshmi- "Who am I, a mere Prime Minister before a Queen, a Queen of Music". While Lata Mangeshkar called her Tapaswini (the Renunciate), Ustad Bade Ghulam Ali Khan termed her Suswaralakshmi (the goddess of the perfect note), and Kishori Amonkar labelled her the ultimate eighth note or Aathuvaan Sur, which is above the seven notes basic to all music. The great national leader and poet Sarojini Naidu called her "Nightingale of India". Her many famous renditions of bhajans include the chanting of Meenakshi Pancharatnam, Bhaja Govindam, Vishnu sahasranama (1000 names of Vishnu), Hari Tuma Haro and the Venkateswara Suprabhatam (musical hymns to awaken Lord Balaji early in the morning).
She was widely honoured, praised and awarded. Some of the popular ones include:
Padma Bhushan in 1954
Sangeet Natak Akademi Award in 1956
Sangita Kalanidhi in 1968
Ramon Magsaysay Award (often considered Asia's Nobel Prize) in 1974
Padma Vibhushan in 1975
Sangeetha Kalasikhamani in 1975 by The Indian Fine Arts Society, Chennai
Kalidas Samman in 1988
Indira Gandhi Award for National Integration in 1990
Bharat Ratna in 1998
She was honoured as a resident artist Asthana Vidhwan of Tirumala Tirupati Devasthanams. Tirupati Urban Development Authority (TUDA) has installed a bronze statue of M.S. Subbulakshmi at the Poornakumbham circle in the temple town. It was unveiled by Andhra Pradesh Chief Minister Y. S. Rajasekhara Reddy on 28 May 2006.
The Kancheepuram Saree shade known as MS Blue was named after her by the well-known Congress party member and philanthropist, Sri Muthu Chettiyar when they met at the residence of Sri R. Aiyadurai and Smt. Thangam Aiyadurai at Lady Desikachari Road, Madras, who were close friends of MS and Sadasivam.
A commemorative postage stamp on her was issued on 18-December-2005. United Nations decided to issue the stamp to mark the birth centenary of M.S. Subbulakshmi. She was bestowed with enormous prize money along with the awards, most of which she donated to charity. She has given more than 200 charity concerts and raised well over Rs. 10,000,000. She was awarded honorary degrees from several Universities. She was an ardent devotee of Kanchi Mahaswamigal and she rendered his composition "Maithreem Bhajatha" (O World! Cultivate peace) in her concert at the UN in 1966. She made a 20-minute recording of "Venkatesa Suprabhatam" for His Master's Voice, the royalty from which goes to the Veda Patasala run by the Tirupati Tirumala Devasthanam. She donated many of the royalties on several best sold records to many charity organisations.
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